{"id":1220,"date":"2019-02-01T01:11:50","date_gmt":"2019-02-01T01:11:50","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=1220"},"modified":"2019-02-01T01:11:51","modified_gmt":"2019-02-01T01:11:51","slug":"analysis1-jacobd","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis1-jacobd\/","title":{"rendered":"Analysis1 -JacobD"},"content":{"rendered":"\n<p>While comparing the opening of Monsters, Inc. to Inja, one of the first things that you notice is how the characters are introduced. In Monsters, Inc., the first character that is introduced comes in very quick and the dialogue takes no time to explain to us what is happening, but compared to Inja, the first character is introduced early just with a lot less dialogue. In Monsters, Inc., the setting is in what sort of looks like a film set, we don&#8217;t see anything else other than that room, while in Inja, it is all filmed outside in the fields so you don&#8217;t really have much of a sense of where it takes place at first. The shots are similar in these 2 movies but in Monsters, Inc., there are a lot more pan shots and jump cuts. I would say that the pace of Inja is a lot slower compared to Monsters, Inc. In Inja, they mostly use jump cuts between shots in the fields, but in Monsters, Inc., they use a lot more pan shots to show all of the setting that they are in. In my opinion, Monsters, Inc., starts off in a way that is more interesting, just because of the shots and dialogue, but Inja definitely has a lot more attention to detail compared to Monsters, Inc.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While comparing the opening of Monsters, Inc. to Inja, one of the first things&#8230;<\/p>\n","protected":false},"author":16,"featured_media":1210,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16,42],"tags":[14],"class_list":["post-1220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a1","category-analysis","tag-fri-1pm"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc.jpg",1024,683,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-150x150.jpg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-300x200.jpg",300,200,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-768x512.jpg",768,512,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-1024x683.jpg",900,600,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-110x110.jpg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc.jpg",1024,683,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc.jpg",1024,683,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc.jpg",1024,683,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-550x367.jpg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc-300x200.jpg",300,200,true]},"post_excerpt_stackable_v2":"<p>While comparing the opening of Monsters, Inc. to Inja, one of the first things that you notice is how the characters are introduced. In Monsters, Inc., the first character that is introduced comes in very quick and the dialogue takes no time to explain to us what is happening, but compared to Inja, the first character is introduced early just with a lot less dialogue. In Monsters, Inc., the setting is in what sort of looks like a film set, we don&#8217;t see anything else other than that room, while in Inja, it is all filmed outside in the fields&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/\" rel=\"category tag\">A1<\/a>, <a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/\" rel=\"category tag\">Analysis<\/a>","author_info_v2":{"name":"jacob.deraps","url":"https:\/\/jolineblais.net\/nmd106\/author\/jacob-deraps\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/nyc.jpg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-jG","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":551,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-evang\/","url_meta":{"origin":1220,"position":0},"title":"Analysis-EvanG","author":"evan.gillingham","date":"January 23, 2019","format":false,"excerpt":"Comparing the Monster's Inc opening to Inja Inja I really enjoyed Inja as a short film. There was an incredible amount of story telling done through actions rather than dialogue, and every word said had some weight on the story. The line about him not wanting to open the sack\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1229,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-jareds\/","url_meta":{"origin":1220,"position":1},"title":"Analysis1 &#8211; JaredS","author":"Jared Steinbrecher","date":"February 1, 2019","format":false,"excerpt":"Inja has minimal dialog, most of it in a different language. To make up for this it utilizes context and a variety of smart shots. The first things we see is a shot of servants working in a field. The second shot of the film we see a young boy,\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":567,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-maxh\/","url_meta":{"origin":1220,"position":2},"title":"Analysis1-MaxH","author":"max.harris","date":"January 23, 2019","format":false,"excerpt":"Throughout the film, there is very little dialogue. This was done to put an emphasis on the shots & visual storyline. The opening scene shows black farmers working in a field and then putting up the South African flag. From the beginning, the audio cuts through the visuals to provide\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":614,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-jacksonh\/","url_meta":{"origin":1220,"position":3},"title":"Analysis1-JacksonH","author":"jackson.heichel","date":"January 23, 2019","format":false,"excerpt":"The first character introduced in Inja is Thembile, a young boy. We see him first as he is playing with a puppy. This helps us to see Thembile as a sympathetic character and a caring person. This characterization is then cemented as we then see him risk getting in trouble\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":743,"url":"https:\/\/jolineblais.net\/nmd106\/analisys-claireh\/","url_meta":{"origin":1220,"position":4},"title":"Analisys-ClaireH","author":"claire.hubby","date":"January 25, 2019","format":false,"excerpt":"The film Inja uses a variety of shots to portray the story since the film has minimal dialog and it is in a different language. The second shot of the film we see a young boy playing with a puppy. As the camera pans to follow them playing, we are\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":533,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-sarat\/","url_meta":{"origin":1220,"position":5},"title":"Analysis1-SaraT","author":"sara.taylor","date":"January 23, 2019","format":false,"excerpt":"Inja Plot Summary The short film we are analyzing takes place in a rural African environment and features a child playing with a wild puppy. The story progresses plainly, the child wants to keep the dog, however the white man clearly does not want his worker to enjoy the dog.\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/adorable-animal-cat-1440387.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/adorable-animal-cat-1440387.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/adorable-animal-cat-1440387.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/adorable-animal-cat-1440387.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=1220"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1220\/revisions"}],"predecessor-version":[{"id":1222,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1220\/revisions\/1222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1210"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=1220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=1220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=1220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}