{"id":1278,"date":"2019-02-01T08:42:45","date_gmt":"2019-02-01T08:42:45","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=1278"},"modified":"2019-02-01T08:43:39","modified_gmt":"2019-02-01T08:43:39","slug":"writing-1-matthewm","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/writing-1-matthewm\/","title":{"rendered":"writing 1- MatthewM"},"content":{"rendered":"\n<p>The Scene: Its ark outside, the antagonist is heading back to his apartment while he is in dept to the protagonist. the antagonist opens his door to come to one lamp is on and can see an outline of someone smoking a cigar in the corner of the room and cant make him out, just the burning of the cigar when inhaled can he see a part of the persons face that was asking where is the money.<\/p>\n\n\n\n<p>The protagonist is nearly not visible in the dark to the point you can&#8217;t really see who the person is you can only tell he has a deep voice that&#8217;s a little messed up like from a past injury from something. you couldn&#8217;t tell he was holding a gun or not. the antagonist has a single light above him that&#8217;s just over the door when you come into his apartment. he is standing straight up and trying not to show that he was scared or anything when facing the person he doesn&#8217;t know in the corner of the apartment.<\/p>\n\n\n\n<p>The ending would be a person that is starting to pass out on the floor and the apartment is all messing up with furniture thrown around. As the protagonist is leaving the apartment as he turns his face from the light over the door the antagonist can see the side of his face as he leaves as he passes out.<\/p>\n\n\n\n<p> If shot: Setting would be easy to capture. Would need cameras,  tripod, a few lights, there can or cant be audio depending on the mood <\/p>\n\n\n\n<p> <br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Scene: Its ark outside, the antagonist is heading back to his apartment while&#8230;<\/p>\n","protected":false},"author":39,"featured_media":1279,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[46,21],"tags":[],"class_list":["post-1278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lab1","category-w1"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone.png",1038,576,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-150x150.png",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-300x166.png",300,166,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-768x426.png",768,426,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-1024x568.png",900,499,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-110x110.png",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone.png",1038,576,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone.png",1038,576,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone.png",1038,576,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-550x367.png",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone-300x166.png",300,166,true]},"post_excerpt_stackable_v2":"<p>The Scene: Its ark outside, the antagonist is heading back to his apartment while he is in dept to the protagonist. the antagonist opens his door to come to one lamp is on and can see an outline of someone smoking a cigar in the corner of the room and cant make him out, just the burning of the cigar when inhaled can he see a part of the persons face that was asking where is the money. The protagonist is nearly not visible in the dark to the point you can&#8217;t really see who the person is you can&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/lab1\/\" rel=\"category tag\">Lab1<\/a>, <a href=\"https:\/\/jolineblais.net\/nmd106\/category\/writing\/w1\/\" rel=\"category tag\">W1<\/a>","author_info_v2":{"name":"matthew.marchewka","url":"https:\/\/jolineblais.net\/nmd106\/author\/matthew-marchewka\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/the_godfather_don_corleone.png","jetpack_shortlink":"https:\/\/wp.me\/paATJA-kC","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":849,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-maevem\/","url_meta":{"origin":1278,"position":0},"title":"Analysis-MaeveM","author":"maeve.maloney","date":"January 28, 2019","format":false,"excerpt":"Throughout the film, the most commonly used film techniques are close ups and long shots. This was highlighted several times and conveyed the emotions of the characters and the mood of the short film. The opening shot is an establishing long shot that sets the stage of the short film,\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":774,"url":"https:\/\/jolineblais.net\/nmd106\/inja\/","url_meta":{"origin":1278,"position":1},"title":"Analysis1-RobertH","author":"robert.hebert","date":"January 25, 2019","format":false,"excerpt":"We are introduced to our protagonist with him raising someone else's flag. The flag of Apartheid racial regime. Here the setting and struggle of the character are readily established in two simple shots. This black boy is oppressed, doing work for a white man of higher stature. This is communicated\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2979,"url":"https:\/\/jolineblais.net\/nmd106\/a4_vanduijn\/","url_meta":{"origin":1278,"position":2},"title":"A4_vanDuijn","author":"claudio.van","date":"April 15, 2019","format":false,"excerpt":"Story Elements: In the short film Farm Time, it may not seem like there is a protagonist but the film follows a mother and father who have decided to farm as a lively hood. The mother and father could be considered the main protagonists. The antagonist could be seen as\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/str2_SLfolo300517_s1_1-770x470.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/str2_SLfolo300517_s1_1-770x470.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/str2_SLfolo300517_s1_1-770x470.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/str2_SLfolo300517_s1_1-770x470.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2940,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-trystin-killer\/","url_meta":{"origin":1278,"position":3},"title":"Analysis 4-Trystin Killer","author":"trystin.killer","date":"April 15, 2019","format":false,"excerpt":"The Elevator Story Elements: The protagonist is the man in the opening shot getting into the elevator. The crisis is the weight limit in the elevator. Every level the elevator goes up more and more overweight people enter the elevator. The main character is anxious about the weight limit.In the\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2991,"url":"https:\/\/jolineblais.net\/nmd106\/__trashed\/","url_meta":{"origin":1278,"position":4},"title":"Analysis4 &#8211; MatthewM","author":"matthew.marchewka","date":"May 7, 2019","format":false,"excerpt":"The Elevator Story Elements In this short film the protagonist is the man in the first scene. He trys to use the elevator to get up to another floor. While there are other variables that try to stop him The crisis he runs into is the people in the elevator.\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1231,"url":"https:\/\/jolineblais.net\/nmd106\/writing1-jareds\/","url_meta":{"origin":1278,"position":5},"title":"Writing1 &#8211; JaredS","author":"Jared Steinbrecher","date":"February 1, 2019","format":false,"excerpt":"\"Mac - N - Thief\" Beginning: We are at the robbers house or apartment. He is in a dimly lit room with a lot of technology and a big map with plans written on the wall or whiteboard. The wall has an outlay of an apartment, a list of what\u2026","rel":"","context":"In &quot;Lab3&quot;","block_context":{"text":"Lab3","link":"https:\/\/jolineblais.net\/nmd106\/category\/lab3\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=1278"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1278\/revisions"}],"predecessor-version":[{"id":1280,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1278\/revisions\/1280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1279"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=1278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=1278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=1278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}