{"id":1292,"date":"2019-02-01T12:56:33","date_gmt":"2019-02-01T12:56:33","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=1292"},"modified":"2019-02-01T12:56:40","modified_gmt":"2019-02-01T12:56:40","slug":"analysis-1-elizab","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis-1-elizab\/","title":{"rendered":"Analysis 1-ElizaB"},"content":{"rendered":"\n

Inja <\/em>directed by Steve Pasvolsky was a really captivating story depicting a young boy and his relationship with his master\u2019s dog. Paslovsky really captures the audience\u2019s attention and pushes the emotional aspect of each scene, as the film deals with \u2014racism. with a variety of visual techniques with the shots that he uses. With these shots, the mood of the story changes. For example, like Will R. Mentioned, when the camera seems to lose stability during the scene of the heart attack, it increases the suspense and the intensity of the scene that almost matches the same violent vigor of the master a few scenes back when he violently kicks his dog. <\/p>\n\n\n\n

The way in which these shots are taken significantly adds to the story than just having a stable and steady shot throughout all of the scenes. For example with the opening scene in Indiana Jones, <\/em>the pacing of the camera shot and the stability of each shot reflects the intensity and the mood of the storyline. This helps by really builds on the disposition of the atmosphere and therefore allows the audience to feel as if they are experiencing these events themselves in a first-hand experience.<\/p>\n","protected":false},"excerpt":{"rendered":"

Inja directed by Steve Pasvolsky was a really captivating story depicting a young boy…<\/p>\n","protected":false},"author":60,"featured_media":1293,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a1"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg",1024,683,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-150x150.jpg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-300x200.jpg",300,200,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-768x512.jpg",768,512,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-1024x683.jpg",900,600,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-110x110.jpg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg",1024,683,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg",1024,683,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg",1024,683,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-550x367.jpg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757-300x200.jpg",300,200,true]},"post_excerpt_stackable_v2":"

Inja directed by Steve Pasvolsky was a really captivating story depicting a young boy and his relationship with his master\u2019s dog. Paslovsky really captures the audience\u2019s attention and pushes the emotional aspect of each scene, as the film deals with \u2014racism. with a variety of visual techniques with the shots that he uses. With these shots, the mood of the story changes. For example, like Will R. Mentioned, when the camera seems to lose stability during the scene of the heart attack, it increases the suspense and the intensity of the scene that almost matches the same violent vigor of…<\/p>\n","category_list_v2":"A1<\/a>","author_info_v2":{"name":"ElizaB","url":"https:\/\/jolineblais.net\/nmd106\/author\/elizab\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-kQ","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":603,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-owens\/","url_meta":{"origin":1292,"position":0},"title":"Analysis-OwenS","author":"owen.savage","date":"January 25, 2019","format":false,"excerpt":"A A: The Film begins with a wide shot of a child farming with some other older people and then leaving to play with a dog. I Think the director chose this shot as an opening to give first some background about what the characters do (farming) and then introducing\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":596,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-first-colleen-g\/","url_meta":{"origin":1292,"position":1},"title":"Analysis-First-Colleen-G","author":"colleen.m.gallagher","date":"January 23, 2019","format":false,"excerpt":"For this first analysis we were shown a video from a different culture with few subtitles all in a foreign language. Visually the video movement by moving the camera with the action of the people and dog. Through visuals of the surroundings they portray the enviornment in which the little\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":620,"url":"https:\/\/jolineblais.net\/nmd106\/analysis\/","url_meta":{"origin":1292,"position":2},"title":"Analysis1-BrodyL","author":"brody.lycan","date":"January 23, 2019","format":false,"excerpt":"Closeup shots using just facial expressions without words clearly show how the boy is viewing people, The lack of music in most of the scenes makes them a lot more intense and shows how pivotal they are to the overall film. The setting of the large house and his nervousness,\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Freeskiing_mute_grab.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Freeskiing_mute_grab.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Freeskiing_mute_grab.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":567,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-maxh\/","url_meta":{"origin":1292,"position":3},"title":"Analysis1-MaxH","author":"max.harris","date":"January 23, 2019","format":false,"excerpt":"Throughout the film, there is very little dialogue. This was done to put an emphasis on the shots & visual storyline. The opening scene shows black farmers working in a field and then putting up the South African flag. From the beginning, the audio cuts through the visuals to provide\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/slightly-ramshackled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":862,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-perrya\/","url_meta":{"origin":1292,"position":4},"title":"Analysis1-PerryA","author":"perry.amos","date":"January 28, 2019","format":false,"excerpt":"A. The two main characters in this short, the boy and the dog are introduced with friendly playful music and the boy is shown going out of his way to make a collar for the dog. This tells us that they have a caring relationship and the boy is not\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/DSC_5959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/DSC_5959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/DSC_5959.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/DSC_5959.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1922,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-2-colini\/","url_meta":{"origin":1292,"position":5},"title":"Analysis 2-ColinI","author":"colin.ingalls","date":"February 27, 2019","format":false,"excerpt":"The prisoner The documentary describes the life and persecution of an individual accused of plotting an assassination.\u00a0 The trailer makes use of several visual and auditory elements to se the tone of the documentary. The use of home video humanizes the individual and is shown first in order to establish\u2026","rel":"","context":"In "A2"","block_context":{"text":"A2","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/board-cinema-cinematography-274937.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/board-cinema-cinematography-274937.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/board-cinema-cinematography-274937.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/board-cinema-cinematography-274937.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=1292"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1292\/revisions"}],"predecessor-version":[{"id":1294,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1292\/revisions\/1294"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1293"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=1292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=1292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=1292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}