{"id":1360,"date":"2019-02-01T16:26:51","date_gmt":"2019-02-01T16:26:51","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=1360"},"modified":"2019-02-27T17:52:12","modified_gmt":"2019-02-27T17:52:12","slug":"analysis1-maevem","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis1-maevem\/","title":{"rendered":"Analysis1-MaeveM"},"content":{"rendered":"\n<p>In the opening scene, there is a small patch of grass in the snow. This is followed by Bambi and his mother starting to eat the grass. There aren\u2019t significant indications on who the main character will be in the move, but bambi seems to be in more of the shots then the mother.When the scene begins, it starts with a medium close up on the patch of grass. This cuts into a \u201ccutting on action\u201d shot, where bambi runs into the shot, the shot is matching the movement of the deer. The following scene is introduced by using a medium close up on bambi. After this last scene you can not only tell what they\u2019re doing, but who the main character is based on his part in these three first shots. In the opening, you can start to notice that bambi is the main character, as mentioned above. You also learn that they are in danger from the gunshots in the background. After there are gunshots the pace of the film starts to pick up as the two start to run. When bambi realizes his mother has been shot, the film becomes dark and slow. The emotions and feelings are displayed through sound, speed and lighting in the movie. You can tell when the movie starts to become very intense and action pact.In the opening scene, there is a small patch of grass in the snow. This is followed by Bambi and his mother starting to eat the grass. There aren\u2019t significant indications on who the main character will be in the move, but bambi seems to be in more of the shots than the mother. You can tell that bambi is with his mother based on the protective and motherly behavior displayed by her. The writer created the same idea for bambi\u2019s father. He is displayed as a large deer, who is also very protective and strong. The opening shot is a wide shot, which displays freedom and shows lots of space. This shot shows the viewers that the two are alone and have lots of space on their own. This is also displayed in Inja when the boy is watching his dog play, the wide shot shows all the freedom the boy feels when watching the dog play. You can tell it brings him joy. In both Inja and Bambi, the filmmakers used many full close-ups, medium close up and long shots. These films were used to really show the characters expressions and feelings. In Inja it showed the fear and sadness in the boy when his dog was being hurt, as it was in bambi when he was without his mother. It also showed the freedom and happiness they possessed when bambi had his mother and the boy had his dog in Inja. In bambi the pace changes throughout the movie. It starts at a normal pace but when the action starts to increase, the pace increases. When bambi found out his mother was shot, it started to slow down to represent his sadness. I felt that in Inja the films pace stayed the same, it had many different shots but the filmmaker felt it was more effective to change the shots then the pace. The fast change in shots for both clips creates a flow in the film and helps tell the story. The colors, shots and music all play a major role in the art of storytelling.Both stories are told very well in such a short amount of time. Although Bambi is much longer, the clip played is very easy to follow even without a background. Inja is also easy to follow along due to the different shots that are implemented alongside the different paces in bambi and music in Inja. Both short films flow well, a substantial part of both movies are told based on the shots and paces of the films.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the opening scene, there is a small patch of grass in the snow&#8230;.<\/p>\n","protected":false},"author":38,"featured_media":1149,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[52,13],"class_list":["post-1360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a1","tag-a1","tag-fri-11am"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1.jpg",1024,690,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-150x150.jpg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-300x202.jpg",300,202,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-768x518.jpg",768,518,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-1024x690.jpg",900,606,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-110x110.jpg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1.jpg",1024,690,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1.jpg",1024,690,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1.jpg",1024,690,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-550x367.jpg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1-300x202.jpg",300,202,true]},"post_excerpt_stackable_v2":"<p>In the opening scene, there is a small patch of grass in the snow. This is followed by Bambi and his mother starting to eat the grass. There aren\u2019t significant indications on who the main character will be in the move, but bambi seems to be in more of the shots then the mother.When the scene begins, it starts with a medium close up on the patch of grass. This cuts into a \u201ccutting on action\u201d shot, where bambi runs into the shot, the shot is matching the movement of the deer. The following scene is introduced by using a&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/\" rel=\"category tag\">A1<\/a>","author_info_v2":{"name":"maeve.maloney","url":"https:\/\/jolineblais.net\/nmd106\/author\/maeve-maloney\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/bridge-cold-daytime-1559117-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-lW","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1229,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-jareds\/","url_meta":{"origin":1360,"position":0},"title":"Analysis1 &#8211; JaredS","author":"Jared Steinbrecher","date":"February 1, 2019","format":false,"excerpt":"Inja has minimal dialog, most of it in a different language. To make up for this it utilizes context and a variety of smart shots. The first things we see is a shot of servants working in a field. The second shot of the film we see a young boy,\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":594,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-mkjones\/","url_meta":{"origin":1360,"position":1},"title":"Analysis1-MKJones","author":"mary.k.jones","date":"January 25, 2019","format":false,"excerpt":"INJA: The first thing I noticed was that the short film took place in South Africa. It was a good choice, because at the beginning of the film, it takes place during the apartheid. To show time change, other than just showing the boy being older, it shows him raising\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":743,"url":"https:\/\/jolineblais.net\/nmd106\/analisys-claireh\/","url_meta":{"origin":1360,"position":2},"title":"Analisys-ClaireH","author":"claire.hubby","date":"January 25, 2019","format":false,"excerpt":"The film Inja uses a variety of shots to portray the story since the film has minimal dialog and it is in a different language. The second shot of the film we see a young boy playing with a puppy. As the camera pans to follow them playing, we are\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/maxresdefault-4.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":622,"url":"https:\/\/jolineblais.net\/nmd106\/analysis_jakep\/","url_meta":{"origin":1360,"position":3},"title":"Analysis_JakeP","author":"jacobson.perry","date":"January 25, 2019","format":false,"excerpt":"The opening to the film aims to show you the connection the boy has with the dog. They do this by having the boy cut a piece of line from the flag pole, they show him looking around to make sure no one is watching, making a point that he's\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":614,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-jacksonh\/","url_meta":{"origin":1360,"position":4},"title":"Analysis1-JacksonH","author":"jackson.heichel","date":"January 23, 2019","format":false,"excerpt":"The first character introduced in Inja is Thembile, a young boy. We see him first as he is playing with a puppy. This helps us to see Thembile as a sympathetic character and a caring person. This characterization is then cemented as we then see him risk getting in trouble\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":899,"url":"https:\/\/jolineblais.net\/nmd106\/analysis1-kath\/","url_meta":{"origin":1360,"position":5},"title":"Analysis1-KatH","author":"katherine.hinman","date":"January 30, 2019","format":false,"excerpt":"In Inja, the characters are introduced mainly through context-- we see Thembile raising a flag soon after a shot of servants working in a field, so we can assume he's also a servant. He's kind to the dog, and tries to resist putting it in the bag when his boss\u2026","rel":"","context":"In &quot;A1&quot;","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/architecture-buildings-city-1850583.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/architecture-buildings-city-1850583.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/architecture-buildings-city-1850583.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/architecture-buildings-city-1850583.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=1360"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1360\/revisions"}],"predecessor-version":[{"id":1361,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1360\/revisions\/1361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1149"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=1360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=1360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=1360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}