{"id":1904,"date":"2019-02-26T22:23:18","date_gmt":"2019-02-26T22:23:18","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=1904"},"modified":"2019-02-26T22:23:25","modified_gmt":"2019-02-26T22:23:25","slug":"analysis2-carlyc","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis2-carlyc\/","title":{"rendered":"Analysis2-CarlyC"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>A: \u00a0<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li>The subject of the <em>Baraka<\/em> trailer is the world, and life itself in all forms including animals, humans and their cultures. In the trailer, there isn\u2019t much dialogue except at the very beginning and at the very end, so there is mostly just sound and images. The footage was very, clear and the shots started from a certain part of the world, and began to spread and become more diverse. At one point I believe they were playing scottish\/highland music with tribes of Africa visuals. With the idea of life itself in all is forms I believe they were trying to make the point that we\u2019re all very much alike. Some parts of the audio were increased at certain points to add suspense, or most feeling? <\/li><li>The subject of <em>Waltz With Bashir<\/em> is a man trying to recover his memory about his time in the war, what he did and who he killed. He uses photographs to try and trace his steps to recover his memory. This is very different from Baraka, because it\u2019s all done with animation, not live footage, so the contrast, and colors are chosen specifically for a purpose. The colors in Baraka may be chosen for a reason, and increased slightly, but it\u2019s not made completely by artists. <\/li><li><\/li><\/ol>\n\n\n\n<p>2.<\/p>\n\n\n\n<p>&#8212;&#8211; Baraka:<\/p>\n\n\n\n<p>\t+The beautiful vibrant pictures<\/p>\n\n\n\n<p>+the sound of possibly scottish music with an african tribe dancing<\/p>\n\n\n\n<p>+The sound of the guys\/priests yelling, while they sit in a semi circle<\/p>\n\n\n\n<p>&#8212;&#8212;-Waltz with Bashir: <\/p>\n\n\n\n<p>+The high contrast, yellow against black, red against black etc. <\/p>\n\n\n\n<p>+Bashir saying that he might remember things that he doesn\u2019t want to know about himself.<\/p>\n\n\n\n<p>+the guy almost dancing with his gun, while he\u2019s firing it<\/p>\n\n\n\n<p>+a child with a grenade launcher, in an orchard, or garden of some sort<strong>W<\/strong><\/p>\n\n\n\n<p>B: <\/p>\n\n\n\n<p>1: <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Part 1: Introduction of characters and Trading post<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Part 2:Nanook\u2019s people are in trouble, he saves them, they all go hunting for walrus.<\/li><li>Part 3: Winter, traveling across massive snow banks\/hills, going along trap line, make igloo.<\/li><li>Part 4: Surviving the storm, dogs die, END<\/li><\/ul>\n\n\n\n<p>2: At each point, it was a separation of major events. The beginning was introducing the characters and the Trading post. It illustrated how some of the modern technology is unknown to them. The second part was explaining how Nanook\u2019s people are on the edge of starvation, and everything in this section has a feeling of urgency around it, the music helps with this feeling. When the men are trying to bring the walrus on to shore, the music is suspenseful, and it creates this loyalty to the Nanook people and a wish for them to succeed. In the third part, it\u2019s during winter time and Nanook\u2019s people are traveling trying to find food, this part has less urgency, and the transition is just the landscape images. The last part has urgency and sadness with the music and the footage. The family is trying to survive the storm, and while they\u2019re in a deserted igloo, the dogs are outside. The footage shows the dogs, one after one being covered in snow, not moving, until there is only one left alive in the storm. This is an extremely sad part, which makes me wonder how valuable these dogs are to the Eskimo people, and if they are so important why aren\u2019t they taken care of? The transitions were mostly text blocks explaining what the next part would be like, or explaining what\u2019s happening. <\/p>\n\n\n\n<p>3: The document doesn\u2019t have a verbal narrator, but the text serves as narration, by explaining what\u2019s happening in such a way that no dialogue is needed. Even though there isn\u2019t dialogue and no voice over, the images and the text provided enough information, and the music provides feeling to the footage. <\/p>\n\n\n\n<p>4: The footage is mostly pretty long, it just shows the family\u2019s struggle to survive, it may cut to important images like the dogs growling because they\u2019re hungry, or to the walruses in the water etc. The text that is before an image, or part of the footage just briefly explains what\u2019s happening, and makes the viewer have to really pay attention to understand what\u2019s happening. Even without the text, the long pieces of footage I believe would help a person understand, because what the Eskimo people are doing if human survival, hunting, building shelter etc. basic things we know and understand. <\/p>\n\n\n\n<p>C:<\/p>\n\n\n\n<p>1: The camera seems pretty stationary, the framing usually keep the people or the subject more in the middle of the screen. The quality of dark and light isn\u2019t great, because of how long ago it was filmed, it\u2019s hard to see some of the people\u2019s faces, and distinguish features. <br><\/p>\n\n\n\n<p>2. Most of the shots, showing characters moving around or conversing with one another are pretty long. This could be because there is no dialogue, so there is no need for shots going from person to person. <br><\/p>\n\n\n\n<p>3. There is a straightforward narrative, it shows what they do in the summer, and then into the winter. The viewers get to see what the Eskimo do according to the situation, and it give them a personal look into their lives. When the text comes up, it\u2019ll go directly to the corresponding footage after the text goes off the screen. <br><\/p>\n\n\n\n<p>D: <\/p>\n\n\n\n<p>1: I believe the filmmakers wanted to show how simply they live, how every choice they make it life or death, yet they seem extremely happy. I think he wanted to show that even though their life is completely different from others, they\u2019re still very much alike. Nanook has a family that depends on him like other men around the world at this time. He works for a living (hunting) that supplies his family with what they need to survive, like other families in the world. The children still play, and the wife takes care of the children, similar roles to ones all over the world. I think he wanted to show the differences, but also how similar they are with other people, the culture and environments may be different but what people value is generally the same, family, and survival. <br><\/p>\n\n\n\n<p>2: The term I would use are observer, because you never see the man filming Nanook and his family, you never see the camera crew, and he never asks them questions. He just observes them, and uses the camera to document what they do, then he adds a description to make what\u2019s happening more clear. He never adds his own opinion, of exchanged an dialogue or anything with Nanook on in front of the camera. <br><\/p>\n\n\n\n<p>3: I think the filmmaker was pretty good on ethical issues, he didn\u2019t add his assumptions or bias very often. There was point where he showed something that might have other looking down at the Eskimo, which is when he is looking over the telegraph. Nanook has no idea what it is, or how it works, so it could be viewed as degrading how the filmmaker filmed his reaction. &nbsp;<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A: \u00a0 The subject of the Baraka trailer is the world, and life itself&#8230;<\/p>\n","protected":false},"author":11,"featured_media":1298,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a2"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391.jpeg",768,1024,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-150x150.jpeg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-225x300.jpeg",225,300,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-768x1024.jpeg",768,1024,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-768x1024.jpeg",768,1024,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-110x110.jpeg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391.jpeg",768,1024,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391.jpeg",768,1024,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391.jpeg",768,1024,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-550x367.jpeg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391-300x400.jpeg",300,400,true]},"post_excerpt_stackable_v2":"<p>A: \u00a0 The subject of the Baraka trailer is the world, and life itself in all forms including animals, humans and their cultures. In the trailer, there isn\u2019t much dialogue except at the very beginning and at the very end, so there is mostly just sound and images. The footage was very, clear and the shots started from a certain part of the world, and began to spread and become more diverse. At one point I believe they were playing scottish\/highland music with tribes of Africa visuals. With the idea of life itself in all is forms I believe they&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/\" rel=\"category tag\">A2<\/a>","author_info_v2":{"name":"carly.cornish","url":"https:\/\/jolineblais.net\/nmd106\/author\/carly-cornish\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/pexels-photo-1054391.jpeg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-uI","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2095,"url":"https:\/\/jolineblais.net\/nmd106\/analysis2-jareds\/","url_meta":{"origin":1904,"position":0},"title":"Analysis2 &#8211; JaredS","author":"Jared Steinbrecher","date":"February 26, 2019","format":false,"excerpt":"A. I found that the central idea in the Waltz with Bashir trailer is a soldier who has lost or forgotten his memories about a war and ss trying to remember them through remnants of the war, such as photographs and stories form other people. The central idea of Baraka\u2026","rel":"","context":"In &quot;A2&quot;","block_context":{"text":"A2","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2007,"url":"https:\/\/jolineblais.net\/nmd106\/analysis2-nater\/","url_meta":{"origin":1904,"position":1},"title":"Analysis2-NateR","author":"nate.reid","date":"February 28, 2019","format":false,"excerpt":"Baracka: A1. The the purpose of the documentary is to show all the different perspectives from around the world and how they all connect to life as a whole. A2. We are shown many different settings throughout the trailer. There are several different scenes of nature, animals, and people. However,\u2026","rel":"","context":"In &quot;A2&quot;","block_context":{"text":"A2","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1854,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-2-4\/","url_meta":{"origin":1904,"position":2},"title":"Analysis 2","author":"Tahj Garvey","date":"February 28, 2019","format":false,"excerpt":"A. Content (trailer) After watching Nanook of the north I believe the central subject of the trailer was to introduce a brand new view on other peoples life\/perspective. \u00a0 The short clips throughout the trailer that shows the rough life of the natives and what they have they do day\u2026","rel":"","context":"In &quot;2-Documentary&quot;","block_context":{"text":"2-Documentary","link":"https:\/\/jolineblais.net\/nmd106\/category\/2-documentary\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/monk.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/monk.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/monk.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/monk.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1871,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-2-aiden-nolani\/","url_meta":{"origin":1904,"position":3},"title":"Analysis 2 &#8211; Aiden NolanI","author":"AidenN","date":"February 27, 2019","format":false,"excerpt":"A: In the Waltz with Bashir trailer, the central subject seems to be about a veteran of a war in Lebanon recovering his memories that he lost. The whole trailer is animated over live footage, which bring a very stylistic kind of feeling. It also allows the creators to creatively\u2026","rel":"","context":"In &quot;A2&quot;","block_context":{"text":"A2","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3319,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-2-will-h\/","url_meta":{"origin":1904,"position":4},"title":"Analysis 2\u2013 Will H.","author":"william.herboldsheimer","date":"April 19, 2019","format":false,"excerpt":"A1\u2013 The central subject of this documentary trailer is about a man and his brothers being falsely accused of plotting to assassinate Tony Blair.\u00a0 A2\u2013 This is a war time documentary that took place during the US' early occupation of Iraq. The audience can infer this by the George Bush\u2026","rel":"","context":"In &quot;2-Documentary&quot;","block_context":{"text":"2-Documentary","link":"https:\/\/jolineblais.net\/nmd106\/category\/2-documentary\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-19-at-12.05.55-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-19-at-12.05.55-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-19-at-12.05.55-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-19-at-12.05.55-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2032,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-2-jordanj\/","url_meta":{"origin":1904,"position":5},"title":"Analysis 2 &#8211; JordanJ","author":"JordanJ","date":"March 4, 2019","format":false,"excerpt":"A) The first trailer I decided to watch was for a film called \"The Prisoner or: How I Planned to Kill Tony Blair\". From what I could tell from the trailer, the film is about the war in Iraq and how many people from Baghdad were stereotyped into being terrorists\u2026","rel":"","context":"In &quot;A2&quot;","block_context":{"text":"A2","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a2\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Screen-Shot-2019-02-21-at-2.11.23-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Screen-Shot-2019-02-21-at-2.11.23-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Screen-Shot-2019-02-21-at-2.11.23-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Screen-Shot-2019-02-21-at-2.11.23-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=1904"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1904\/revisions"}],"predecessor-version":[{"id":1913,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/1904\/revisions\/1913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1298"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=1904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=1904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=1904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}