{"id":3037,"date":"2019-04-17T03:38:55","date_gmt":"2019-04-17T03:38:55","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=3037"},"modified":"2019-04-17T03:39:01","modified_gmt":"2019-04-17T03:39:01","slug":"analysis-4-charlesd","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis-4-charlesd\/","title":{"rendered":"Analysis 4 &#8211; CharlesD"},"content":{"rendered":"\n<p>The protagonist is the guy who goes inside the elevator. The crisis of the film is him going to the top floor. The struggle is the elevator coming closer and closer to the weight limit as people join to the top floor. The video ends at the top floor getting into a new elevator of sick people.<\/p>\n\n\n\n<p>The video was in focus and moved\nyour vision as it should. The video was bright enough to see but bright enough\nto remind you, you\u2019re inside an elevator. The colors were warm and vibrant with\nthe clothing of the people. Overall the shots looked very good.<\/p>\n\n\n\n<p>The screen aspect ratio was good\nfor reminding you, you\u2019re in an elevator. The movement of the camera was perfect\nand close ups made you feel claustrophobic. The depth in framing was another way to convey this feeling.<\/p>\n\n\n\n<p>Overall, all the decisions made by the director were for a purpose and in this case, it was to build tension or to make you feel like you are there in the scene as well. All these things are successful at capturing your attention.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The protagonist is the guy who goes inside the elevator. The crisis of the&#8230;<\/p>\n","protected":false},"author":15,"featured_media":1265,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,48],"tags":[],"class_list":["post-3037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a4","category-lab3"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341.jpg",1024,685,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-150x150.jpg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-300x201.jpg",300,201,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-768x514.jpg",768,514,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-1024x685.jpg",900,602,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-110x110.jpg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341.jpg",1024,685,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341.jpg",1024,685,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341.jpg",1024,685,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-550x367.jpg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341-300x201.jpg",300,201,true]},"post_excerpt_stackable_v2":"<p>The protagonist is the guy who goes inside the elevator. The crisis of the film is him going to the top floor. The struggle is the elevator coming closer and closer to the weight limit as people join to the top floor. The video ends at the top floor getting into a new elevator of sick people. The video was in focus and moved your vision as it should. The video was bright enough to see but bright enough to remind you, you\u2019re inside an elevator. The colors were warm and vibrant with the clothing of the people. Overall the&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/\" rel=\"category tag\">A4<\/a>, <a href=\"https:\/\/jolineblais.net\/nmd106\/category\/lab3\/\" rel=\"category tag\">Lab3<\/a>","author_info_v2":{"name":"charles.daly","url":"https:\/\/jolineblais.net\/nmd106\/author\/charles-daly\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/asphalt-blur-camera-667341.jpg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-MZ","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3026,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-brett-smith\/","url_meta":{"origin":3037,"position":0},"title":"Analysis 4 &#8211; Brett Smith","author":"Brett Smith","date":"April 16, 2019","format":false,"excerpt":"In this analysis, I will be writing about the short film, The Elevator. Story Elements: In this film, the main character is the first person we are introduced to. We do not know his name, but we know the story will be about him based on the detailed shot of\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/image.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/image.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/image.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/image.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3310,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-jareds\/","url_meta":{"origin":3037,"position":1},"title":"Analysis 4 &#8211; JaredS","author":"Jared Steinbrecher","date":"April 18, 2019","format":false,"excerpt":"I thought the short film \u201cThe Elevator\u201d was an interesting and funny piece. The main character is an average looking guy that is on an elevator. All he wants to do is get to the top floor. He starts on the first floor, and when he gets to the second\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/Anni-Albers-Artwork-detail.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3131,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-will-h\/","url_meta":{"origin":3037,"position":2},"title":"Analysis 4\u2013 Will H.","author":"william.herboldsheimer","date":"April 17, 2019","format":false,"excerpt":"The short movie I chose to discuss is Elevator. The movie begins with the protagonist entering an elevator by himself and sending it to the top floor. As he arrives at each floor, a few people start to get in. The middle of the film is when he's aware that\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-02-at-1.02.19-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-02-at-1.02.19-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-02-at-1.02.19-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-02-at-1.02.19-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3871,"url":"https:\/\/jolineblais.net\/nmd106\/amos-a4\/","url_meta":{"origin":3037,"position":3},"title":"Amos -A4","author":"perry.amos","date":"May 8, 2019","format":false,"excerpt":"The protagonist of this film is a nameless man who enters an elevator. The beginning crisis of the film is that the elevator keeps stopping at each floor on his way up. After more and more people get on he is unsure of what to do during the crisis after\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2015\/05\/something-new.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2940,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-trystin-killer\/","url_meta":{"origin":3037,"position":4},"title":"Analysis 4-Trystin Killer","author":"trystin.killer","date":"April 15, 2019","format":false,"excerpt":"The Elevator Story Elements: The protagonist is the man in the opening shot getting into the elevator. The crisis is the weight limit in the elevator. Every level the elevator goes up more and more overweight people enter the elevator. The main character is anxious about the weight limit.In the\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-12.08.32-AM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3083,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-colleen-gallagher\/","url_meta":{"origin":3037,"position":5},"title":"Analysis 4 &#8211; Colleen Gallagher","author":"colleen.m.gallagher","date":"April 17, 2019","format":false,"excerpt":"The Elevator The protagonist is the small man in the elevator at the very beginning who is the only consistent character throughout the short film. The crisis is that there is a weight limit on the elevator and more people keep coming on the elevator with him and he is\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=3037"}],"version-history":[{"count":2,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3037\/revisions"}],"predecessor-version":[{"id":3065,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3037\/revisions\/3065"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/1265"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=3037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=3037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=3037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}