For my short film i\u2019d like to be able to convey a strong message in as little time as possible. Something like chase after your dreams. A man with a loving wife, and a job that he cares about. Everything is good in his life, not rich in wealth, but rich in every other way. He is a professional wildlife \u00a0photographer. The camera then goes from these shots to a man in a bleak cubical building. He taps his fingers and ponders for a while. Then he opens his drawer and sees his old camera. He again puts an inquisitive look on his face, and the last shot is him getting up from his desk, grabbing his camera, and walking out of the shot. \u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"
For my short film i\u2019d like to be able to convey a strong message…<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[41,24],"tags":[],"class_list":["post-3323","post","type-post","status-publish","format-standard","hentry","category-4-storytelling-with-light","category-w4"],"featured_image_urls_v2":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","featured_preview":"","1536x1536":"","2048x2048":"","desktop":"","grid":"","rss-thumb":""},"post_excerpt_stackable_v2":"
For my short film i\u2019d like to be able to convey a strong message in as little time as possible. Something like chase after your dreams. A man with a loving wife, and a job that he cares about. Everything is good in his life, not rich in wealth, but rich in every other way. He is a professional wildlife \u00a0photographer. The camera then goes from these shots to a man in a bleak cubical building. He taps his fingers and ponders for a while. Then he opens his drawer and sees his old camera. He again puts an inquisitive…<\/p>\n","category_list_v2":"4-Storytelling With Light<\/a>, W4<\/a>","author_info_v2":{"name":"zacary.fitts","url":"https:\/\/jolineblais.net\/nmd106\/author\/zacary-fitts\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/paATJA-RB","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":603,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-owens\/","url_meta":{"origin":3323,"position":0},"title":"Analysis-OwenS","author":"owen.savage","date":"January 25, 2019","format":false,"excerpt":"A A: The Film begins with a wide shot of a child farming with some other older people and then leaving to play with a dog. I Think the director chose this shot as an opening to give first some background about what the characters do (farming) and then introducing\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-27-at-6.19.46-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1292,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-1-elizab\/","url_meta":{"origin":3323,"position":1},"title":"Analysis 1-ElizaB","author":"ElizaB","date":"February 1, 2019","format":false,"excerpt":"Inja directed by Steve Pasvolsky was a really captivating story depicting a young boy and his relationship with his master\u2019s dog. Paslovsky really captures the audience\u2019s attention and pushes the emotional aspect of each scene, as the film deals with \u2014racism. with a variety of visual techniques with the shots\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/02\/camera-canon-dslr-243757.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1366,"url":"https:\/\/jolineblais.net\/nmd106\/heicheljackson-w1\/","url_meta":{"origin":3323,"position":2},"title":"Writing1-JacksonH","author":"jackson.heichel","date":"February 1, 2019","format":false,"excerpt":"Script INT. ROOM \u2013 DAY JIM enters room. ALEXANDER is sitting in room at long table. JIM is in a suit and tie, as is ALEXANDER.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ALEXANDER Gestures at empty seat across from him. Hey, Jim. Take a seat. JIM Alright, boss. Why did you want to see me? Is\u2026","rel":"","context":"In "W1"","block_context":{"text":"W1","link":"https:\/\/jolineblais.net\/nmd106\/category\/writing\/w1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/broadcast-broadcasting-camcorder-66134.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3321,"url":"https:\/\/jolineblais.net\/nmd106\/zacaryf-analysis4\/","url_meta":{"origin":3323,"position":3},"title":"ZacaryF-Analysis4","author":"zacary.fitts","date":"April 19, 2019","format":false,"excerpt":"The protagonist is the man in the elevator. The max weight capacity was 2000 pounds and the people getting on the elevator with him were getting increasingly fatter. This scared the tiny man. This struggle led him to get off the elevator, and board another one with people all around\u2026","rel":"","context":"In "4-Storytelling With Light"","block_context":{"text":"4-Storytelling With Light","link":"https:\/\/jolineblais.net\/nmd106\/category\/4-storytelling-with-light\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":523,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-tylerd\/","url_meta":{"origin":3323,"position":4},"title":"Analysis-TylerD","author":"tyler.dambrosio","date":"January 23, 2019","format":false,"excerpt":"Starting off, there was a good contrast between the brightly lit opening scenes and the dark title sequence. Quick cuts were common in the short film with the exception of a lingering camera focused on the faces of the characters. Often times, Thembile appeared on screen with no other characters.\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/01\/Open-Road.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":774,"url":"https:\/\/jolineblais.net\/nmd106\/inja\/","url_meta":{"origin":3323,"position":5},"title":"Analysis1-RobertH","author":"robert.hebert","date":"January 25, 2019","format":false,"excerpt":"We are introduced to our protagonist with him raising someone else's flag. The flag of Apartheid racial regime. Here the setting and struggle of the character are readily established in two simple shots. This black boy is oppressed, doing work for a white man of higher stature. This is communicated\u2026","rel":"","context":"In "A1"","block_context":{"text":"A1","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a1\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=3323"}],"version-history":[{"count":1,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3323\/revisions"}],"predecessor-version":[{"id":3324,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3323\/revisions\/3324"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=3323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=3323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=3323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}