{"id":3486,"date":"2019-04-28T23:24:30","date_gmt":"2019-04-28T23:24:30","guid":{"rendered":"http:\/\/jolineblais.net\/nmd106\/?p=3486"},"modified":"2019-04-28T23:24:32","modified_gmt":"2019-04-28T23:24:32","slug":"analysis-4-elizab","status":"publish","type":"post","link":"https:\/\/jolineblais.net\/nmd106\/analysis-4-elizab\/","title":{"rendered":"Analysis 4-ElizaB"},"content":{"rendered":"\n<ul class=\"wp-block-list\"><li><strong>Story Elements:<\/strong><ul><li>The protagonist is the male who\u2014at first\u2014comfortably enters an elevator. Later on, the crisis approaches as people begin coming into the elevator, adding more and more weight to the elevator. When he finds himself panicking at the weight hazard that is about to occur, he escapes the elevator, only to hop on another where everyone around him is coughing on or near him\u2014another crisis situation. <\/li><\/ul><\/li><li><strong>Manipulating Light:<\/strong>\u00a0<ul><li>The visual aesthetic of &#8220;The Elevator&#8221; is relatively &#8220;retro&#8221; and dull due to the lack of color, which adds to the theme of carelessness of the protagonist&#8217;s environment, i.e. the people surrounding him who cares not for the imminent hazards.<\/li><\/ul><\/li><li><strong>Framing<\/strong>: <ul><li>The filmmaker behind &#8220;The Elevator&#8221; uses closeups and shots that demonstrates the panicked emotions of the protagonist and the uncomfortable mood of the environment.<\/li><\/ul><\/li><li><strong>Visual Style:<\/strong>\u00a0The overall visual aesthetic of the film is effectively used to purpose a story where the protagonist encounters an uncomfortable setting. The consistency of the shots and framing coupled with the lack of color shown throughout the story perfectly matches the tone of the story as the plot unfolds.<\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Story Elements: The protagonist is the male who\u2014at first\u2014comfortably enters an elevator. Later on,&#8230;<\/p>\n","protected":false},"author":60,"featured_media":3495,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,46],"tags":[],"class_list":["post-3486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a4","category-lab1"],"featured_image_urls_v2":{"full":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg",1024,576,false],"thumbnail":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-150x150.jpg",150,150,true],"medium":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-300x169.jpg",300,169,true],"medium_large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-768x432.jpg",768,432,true],"large":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-1024x576.jpg",900,506,true],"featured_preview":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-110x110.jpg",110,110,true],"1536x1536":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg",1024,576,false],"2048x2048":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg",1024,576,false],"desktop":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg",1024,576,false],"grid":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-550x367.jpg",550,367,true],"rss-thumb":["https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock-300x169.jpg",300,169,true]},"post_excerpt_stackable_v2":"<p>Story Elements:The protagonist is the male who\u2014at first\u2014comfortably enters an elevator. Later on, the crisis approaches as people begin coming into the elevator, adding more and more weight to the elevator. When he finds himself panicking at the weight hazard that is about to occur, he escapes the elevator, only to hop on another where everyone around him is coughing on or near him\u2014another crisis situation. Manipulating Light:\u00a0The visual aesthetic of &#8220;The Elevator&#8221; is relatively &#8220;retro&#8221; and dull due to the lack of color, which adds to the theme of carelessness of the protagonist&#8217;s environment, i.e. the people surrounding him&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/\" rel=\"category tag\">A4<\/a>, <a href=\"https:\/\/jolineblais.net\/nmd106\/category\/lab1\/\" rel=\"category tag\">Lab1<\/a>","author_info_v2":{"name":"ElizaB","url":"https:\/\/jolineblais.net\/nmd106\/author\/elizab\/"},"comments_num_v2":"0 comments","jetpack_featured_media_url":"https:\/\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg","jetpack_shortlink":"https:\/\/wp.me\/paATJA-Ue","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2991,"url":"https:\/\/jolineblais.net\/nmd106\/__trashed\/","url_meta":{"origin":3486,"position":0},"title":"Analysis4 &#8211; MatthewM","author":"matthew.marchewka","date":"May 7, 2019","format":false,"excerpt":"The Elevator Story Elements In this short film the protagonist is the man in the first scene. He trys to use the elevator to get up to another floor. While there are other variables that try to stop him The crisis he runs into is the people in the elevator.\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3711,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-tim-clark\/","url_meta":{"origin":3486,"position":1},"title":"Analysis 4 &#8211; Tim Clark","author":"timothy.clark1","date":"May 6, 2019","format":false,"excerpt":"The Elevator Story Elements In this short film the protagonist is the man in the first scene. He needs to use the elevator to get up to another floor. \u00a0 The crisis he runs into is the people in the elevator. When he enters the first elevator it is filled\u2026","rel":"","context":"In &quot;4-Storytelling With Light&quot;","block_context":{"text":"4-Storytelling With Light","link":"https:\/\/jolineblais.net\/nmd106\/category\/4-storytelling-with-light\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/http___cdn.cnn_.com_cnnnext_dam_assets_180831135602-02-elevator-stock.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2954,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-michaelc\/","url_meta":{"origin":3486,"position":2},"title":"Analysis 4 &#8211; MichaelC","author":"michael.ciance","date":"April 15, 2019","format":false,"excerpt":"1.\u00a0Story\u00a0Elements: In the \"Elevator\" short film the protagonist was the normal looking man who first enters the elevator. The crisis that starts to happen to him is more and more heavy set people pile into the elevator he is in. He realizes that the maximum capacity is 2000 lb. And\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3164,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-carlyc\/","url_meta":{"origin":3486,"position":3},"title":"Analysis 4 &#8211; CarlyC","author":"carly.cornish","date":"April 18, 2019","format":false,"excerpt":"Story Elements: Who is the protagonist? -The protagonist is the thin guy in the elevator. For \u201cThe Elevator\u201d film the protagonist is the thin guy in the elevator, he\u2019s surrounded by larger people, who weigh more than him. Beginning: What is the crisis or challenge that sets her\/him on a\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/bright-countryside-dawn-302804.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/bright-countryside-dawn-302804.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/bright-countryside-dawn-302804.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/bright-countryside-dawn-302804.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3083,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-colleen-gallagher\/","url_meta":{"origin":3486,"position":4},"title":"Analysis 4 &#8211; Colleen Gallagher","author":"colleen.m.gallagher","date":"April 17, 2019","format":false,"excerpt":"The Elevator The protagonist is the small man in the elevator at the very beginning who is the only consistent character throughout the short film. The crisis is that there is a weight limit on the elevator and more people keep coming on the elevator with him and he is\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/03\/audio-black-and-white-close-up-185030.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3079,"url":"https:\/\/jolineblais.net\/nmd106\/analysis-4-claire-h\/","url_meta":{"origin":3486,"position":5},"title":"Analysis 4 &#8211; Claire H","author":"claire.hubby","date":"April 17, 2019","format":false,"excerpt":"The Elevator Story Elements: The protagonist was the guy in the blue shirt who started out in the elevator. The crisis\/challenge that was set on him what the he was on an elevator and then a bunch of overweight people kept getting on. As there were more overweight people getting\u2026","rel":"","context":"In &quot;A4&quot;","block_context":{"text":"A4","link":"https:\/\/jolineblais.net\/nmd106\/category\/analysis\/a4\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/jolineblais.net\/nmd106\/wp-content\/uploads\/2019\/04\/Screen-Shot-2019-04-15-at-2.17.43-PM.png?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/comments?post=3486"}],"version-history":[{"count":2,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3486\/revisions"}],"predecessor-version":[{"id":3496,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/posts\/3486\/revisions\/3496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media\/3495"}],"wp:attachment":[{"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/media?parent=3486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/categories?post=3486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jolineblais.net\/nmd106\/wp-json\/wp\/v2\/tags?post=3486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}